We were watching Poltergeist (the original) and I noticed again how much I like this actress…she has that theatre / Shakespearean aire about her work. Her name is Gertrude Whitney Straight. She comes from a very wealthy old colonial family the Whitneys that came from London and settled in Massachusetts in the 1600s. When I saw some pics of her online, I remembered that she’d starred in some of the 1970s Wonder Woman episodes alongside Cloris Leachman and Lynda Carter. I didn’t realize though how well known she’d been. Among her accolades were Academy Awards, Tony Awards, Emmy nominations…Here are some pics and wiki text. She passed away in 2001. RIP lovely lady.
Beatrice Whitney Straight (August 2, 1914 – April 7, 2001) was an American theatre, film and television actress and a member of the prominent Whitney family. She was an Academy Award and Tony Award winner as well as an Emmy Award nominee.
Straight made her Broadway debut in 1939 in The Possessed. Her other Broadway roles included Viola in Twelfth Night (1941), Catherine Sloper in The Heiress (1947) and Lady Macduff in Macbeth (1948). For her role as Elizabeth Proctor in the 1953 production of The Crucible, she won the Tony Award for Best Featured Actress in a Play. For the 1976 film Network, she won the Academy Award for Best Supporting Actress. She was on screen for five minutes and two seconds, the shortest performance to win an Academy Award for acting. She also received an Emmy Award nomination for the 1978 miniseries The Dain Curse. Straight also appeared as Mother Christophe in The Nun’s Story (1959) and Dr. Lesh in Poltergeist (1982).
“…then psychic medium Chris Fleming sends me a text. He’s heard I bought the house. He sends me a warning that I’ll never forget. He tells me there’s a 12-foot-tall ‘demon guardian’, just like the one from my dream at that house. And I better stay the hell away from it.” —Zak Bagans, Demon House
In my opinion film-school graduate and 13-year veteran of demonology and ghost hunting, Zak Bagans, is among our greatest documentary filmmakers. The skill of his vision, authenticity, and artist’s eye for the truth can be seen in Ghost Adventures—the Travel Channel series Bagans created which has been on the air scaring the shit out of millions of viewers for almost 20 years. Bagans doesn’t play. He’s often foolish in his taunting of the demonic—he has learned to be, let’s say, more careful—more respectful—over the years. However, a few years ago, when he learned of the Haunted House in Gary, Indiana in the window of which a police officer caught on film a ghostly entity, Bagans wasted no time. He bought the house straight-up…over the phone. When you’re rich you can do things like that. But rich or poor: you’re regrets for having done so…will be very much the same.
Below, after the trailer, are two articles to whet your interest in The Ammons “House of 200 Demons”—one that takes the phenomenon of demonology and related infestations seriously—and to be fair to the other side, one written for Skeptical Inquirer. I’ve also included Links to some other interesting articles and videos as well as where to buy/view Bagan’s documentary.
The film advises that Viewers Watch Demon House “at Your Own Risk”.
As always when dealing with dark things—evil things as some would call them—beings or phenomenon—whether or not you purport to believe in such things—it is prudent to exercise caution.
I was slightly disappointed after having read the groundbreaking 2005 book by Colm Kelleher and George Knapp, upon which a lot of the documentary is supposedly based. The book is structured better. I’m going to refrain from further commentary here. I dig Jeremy Corbell and his other films. This one has its issues; but it’s worth a watch. “Three-ish” stars ⭐️⭐️⭐️.
“I feel the presence of a nun in this church…”
—Lorraine Warren, psychic investigator/demonologist, speaking to a group of psychic researchers and photographers (including husband Ed Warren) at Borley Rectory in England, during a trip there in the 1970s; it is noted that Lorraine uttered the remark immediately upon entering the building at 12:00 A.M.
In The Nun, the latest movie in the ever-expanding Conjuring universe, a cowl-clad demon with piercing yellow eyes and dagger-like teeth haunts the cloisters of a Romanian abbey and terrorizes local clergy. The film is a prequel to The Conjuring, which detailed the real case files of noted demonologists Ed and Lorraine Warren. Those case files have also inspired film classics such as The Conjuring 2, Anabelle, Annabelle: Creation, and the 1979 horror classic The Amityville Horror.
So how much of the story about The Nun is based on actual events?
The Warren’s son-in-law, Tony Spera, said that The Nun’s ecclesiastical phantom bears resemblance to a “real” spectral nun the Warrens encountered during a 1970s trip to the much-haunted Borley Rectory in southern England.
Below: Rare color photographs of Borley Rectory taken in 1929 (left) and 1943 after the fire (right) by England’s own famous (and infamous) ghost hunter Harry Price (Source: www.harrypricewebsite.co.uk/Borley)
I would hope that my readers here at The Sanguine Woods are a group of mature compassionate adults—I believe you are.
Lord knows LGBTQI people have sat through decade after decade of heterosexual love scenes—we think they’re beautiful examples of human affection and desire—but they don’t tell the WHOLE story do they? Sex between consenting adults, regardless of their gender or sexuality identification category is the truth.
It’s the human story.
That being said…below is the article that inspired this post…give us a Like if you enjoy The Sanguine Woods. We fully support our LGBTQI family as well as our straight family.
Thank you, friends.
When we hear about a movie that’s caused upper-crust audience members to walk out half way through clutching their pearls, it officially has our attention.
And when the challenging material in question just so happens to be envelope-pushing gay sex scenes, well, where do we buy outr tickets?
Camille Vidal-Naquet’s new film Sauvage (to be released as Wild in the US) did just that at this years Cannes Film Festival. On top of the salacious nature of the “controversy”, however, Sauvage also received critical acclaim for its honest and painful exploration of the life of a young gay prostitute.
It centers around 22-year-old Leo, who has been working the streets in France. He’s played by the very talented Félix Maritaud, whom you may remember as Max from last year’s BPM.
Vidal-Naquet has talked about the graphic content with the press, calling it “honest.”
Nice. And isn’t that a primary goal of any art form?
(And, P.S. All you film-festival “pearl clutchers”? 🖕)
Check out the trailer for Wild (Sauvage) below: