Read the Actual 1949 Diary of the Priest Who Inspired the 1973 William Peter Blatty Film: The Exorcist!

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“Nobody in that quiet neighbourhood had a clue about the battle of good and evil that was about to take place in that quaint brick house.”

– Steve LaChance, Author of Confrontation with Evil: An In-Depth Review of the 1949 Possession That Inspired The Exorcist, Llewellyn, 2017

CAUTION! PLEASE READ AT YOUR OWN RISK…

The following post contains language and situations that some readers may find offensive or troubling. Reader discretion is advised.


A Message from the Editor…

Some believe that, when we share words such as those shared here, other…things…travel along with those shared words—whether it be through a discussion, a letter, a phone call, a text message, or the Internet—things of a less beneficent nature than the sharer would have originally intended. This is most likely the very reason why a devoutly religious man, such as Father William Bowdern, chose not to comment very often, if at…

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Rue Morgue #176! Are You Reading It?

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INSIDE ISSUE #176

FEATURES

TWILIGHT OF THE GODS Series creators Bryan Fuller and Michael Green bring Neil Gaiman’s American Gods to network television. Plus: Vincenzo Natali on directing Crispin Glover, Dark Horse’s American Gods comic and a look back at Gaiman’s novel. By Andrea Subissati, Pedro Cabezuelo and Jess Peacock

THE GREAT AND SECRET SHOWMAN The life and legacy of cultural boogeyman Anton Szandor LaVey on the 20th anniversary of his death. Plus: the occult in fashion and a few words with 3teeth frontman Lex. By Sean Plummer, Benoit Black and Andrea Subissati

THE WONDER FEARS The Watcher in the Woods director John Hough takes us back to the Disney movie that traumatized a generation of tots. Plus: a look at Disney’s dark side. By Amy Seidman and Paul Corup

CHAINSAW AND DAVE’S CLASS REUNION Summer School’s lovable gorehounds celebrate 30 years of the characters who made being a horror fan cool. Plus: a dossier of horror devotees. By Jeff Szpirglas and Tal Zimerman

DEPARTMENTS

NOTE FROM UNDERGROUND Andrea says hello.

POST-MORTEM Letters from fans, readers and weirdos

DREADLINES News highlights, horror happenings

THE CORONER’S REPORT Weird stats, morbid facts and more

NEEDFUL THINGS Strange trinkets from our bazaar of the bizarre

CINEMACABRE The latest films, the newest DVDs and reissues feat. The Void

THE LATE-NITE ARCHIVE I Bury the Living

BOWEN’S BASEMENT The Horror of Party Beach

BLOOD IN FOUR COLOURS Comics feat. Not Drunk Enough

THE NINTH CIRCLE Book reviews feat. John Cornell’s Chalk

THE FRIGHT GALLERY The spooky works of Eric Millen

THE GORE-MET Human Pork Chop and Dr. Lamb

AUDIO DROME Music reviews feat. new album from Ghoultown

PLAY DEAD Game reviews feat. Resident Evil 7: Biohazard

CLASSIC CUT The Cat and the Canary

Source and Buying Info:

http://www.rue-morgue.com/online-store/Rue-Morgue-176-May-Jun-2017-p83323287

“You know who else loves going to the gym? Your girlfriend…” hahaha! <3

Support Gay Marriage. Seriously. The Sanguine Woods does. It is a moral and a civil rights issue. And while you are at it, enjoy this hilarious video courtesy of our boys over at College Humor!

The Maudlin Cabinet

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The Lodger 1928 (Directed by Alfred Hitchcock)

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(Pinterest)*

About the Film:

When a landlady (Marie Ault) and her 41TA438AE9Lhusband (Arthur Chesney) take in a new lodger (Ivor Novello), they’re overjoyed: He’s quiet, humble and pays a month’s rent in advance. But his mysterious and suspicious behavior soon has them wondering if he’s the killer terrorizing local blond girls. Their daughter, Daisy (June), a cocky model, is far less concerned, her attraction obvious. Her police-detective boyfriend (Malcolm Keen), in a pique of jealousy, seeks to uncover the lodger’s true identity. The film, released on June 10, 1928 in New York City, is based on the novel, The Lodger by Marie Belloc Lowndes.

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Read the Novel, Free, Here, on Kindle for PC/Tablet/ios/Android…

 

 

Watch the Complete Film, Free, Here…,lodgerA

 

“…we all float down here…”

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Photo: tumblr (from the new film IT based in the novel by Stephen King). Design: Woody D.

They Look Like People, a CAF Film by Perry Blackshear

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SPOILER ALERT!

4 stars! Recommended for Quiet Horror fans…

http://www.theylooklikepeople.com/

‘They Look Like People is a 2015 independent psychological thriller film that was shot, edited, written, produced and directed by Perry Blackshear and marks his feature film directorial debut. The movie had its world premiere on January 25, 2015 at the Slamdance Film Festival where it won a special jury award. It stars MacLeod Andrews as a man who believes that humanity is being secretly taken over by evil creatures.

Close friends Wyatt and Christian reunite in New York City, where Christian invites Wyatt to stay at his apartment. Wyatt has withdrawn into himself, having recently broken up with his fiancee, while Christian, who lost his girlfriend, attempts to counter his insecurities with bodybuilding and aggressive machismo. As the two old friends bond, Christian invites Wyatt along on the date he has with his supervisor, Mara, calling ahead and asking Mara to invite her friend.

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Wyatt and Christian arrive to find that Mara’s friend Sandy has fallen and injured herself. Wyatt examines Sandy and recommends she go to the hospital. Wyatt, Christian and Mara spend the evening in the waiting room until Sandy’s release, and Mara gratefully thanks Christian for staying. As Christian walks Mara to the subway, he fails to take the initiative to kiss her goodnight. Wyatt reassures Christian that Mara is probably still interested in him despite the ending. After Christian falls asleep, Wyatt receives an anonymous phone call, where a muddled voice tells him he only has time to save himself, and he must leave the city and prepare for the demonic invasion.

Mara and Christian continue seeing each other. Wyatt receives subsequent phone calls, this time in Mara’s voice, alerting him to ominous signs of the apocalypse and the nature of the demons, specifically how they infect humans. Wyatt confers with a psychiatrist his fears of psychosis, but cuts the session short when he becomes convinced the psychiatrist himself is possessed by demons. Wyatt stockpiles weapons in Christian’s cellar and alternately contemplates both suicide and murder of passerby he believes to be possessed.

With his newfound assertiveness, Christian believes himself to be in line for a raise, only for Mara to reveal that he has been fired. A note on his computer, signed by his coworkers, accuses him of being an asshole. Christian returns home to find Wyatt waiting for him. Before he can say anything, Mara visits. At first angry, Christian apologizes and invites her in. The three chat amicably, and Christian leaves to get food. Wyatt invites Mara to explore the house and takes her downstairs to show his weapon stash. Wyatt asks her for further information on the demonic invasion, alluding to her voice on the phone. When Mara realizes Wyatt’s seriousness, she flees the house. Christian returns, disappointed that she left, and Wyatt becomes highly agitated and rants about the coming demonic invasion. Christian calms Wyatt down and sets him up with a psychiatrist, the same one Christian went to when he previously attempted suicide.

Wyatt accosts Mara, trying to apologize, and she lashes out in self-defense, injuring Wyatt. Out of remorse, Mara helps him clean up, but Wyatt becomes horrified as she transforms into a demon. Wyatt runs away and finds Christian preparing to join the Army to conquer his insecurities. Wyatt instead convinces him to leave the city and prepare for the coming apocalypse. Christian agrees, so long as Wyatt attends his psychiatric appointment. As Wyatt sees omens of the apocalypse, he instead insists they barricade the basement. To show his trust in Wyatt, Christian allows himself to be bound and gagged in case he is possessed. On the hour of the apocalypse, Wyatt becomes convinced Christian is possessed, and prepares to kill him as he watches Christian transform. At the last moment, Wyatt realizes he is hallucinating, and recognizing Christian as truly human, frees him. The two embrace, and Christian remarks that he has finally conquered his insecurities by facing death.’

(Wikipedia)