Remember ‘The Mammoth Books of Best New Horror, ed. by Stephen Jones’?—Here are the Tables of Contents & Covers from ALL 29 BOOKS!

If you’re like me, you love a good horror series. Hell, series are cool, period, right? I remember my 1970s collection of The Occult Files of Doctor Spektor! I treasured those 19 or 20 comics. Add the amazing artwork and illustrations that a series often comes with, and they’re great! Throw in a great editor and the really good writers, telling their most frightening stories—and series are fantastic!!

I have been collecting Stephen Jones’ The Mammoth Book of Best New Horror since around 2003 and I finally have them all in either hard copy or digital editions. But having more isn’t always easier! I’m always going: Where did I place that oneC089D993-CCD7-414C-8192-28266BBD6C47 book with the killer vampire story in it? Or which book was that crazy story about the “sticks” in? you know by Wagner?

Well, now-a-days it’s very easy to look things up and put a quick name to a book to a page number … and find just what you’re looking for. But back in the day? It was a treasure hunt!

But look no further—because here is the ultimate Master List (thank you ISFDB & StephenJoneseditor.com) of Tables of Contents from all 28 anthologies!—and the covers!*—almost three decades of great short horror fiction! “That’s gotta be like forty-eight hundred teeth!”

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Indeed.

(*If an edition had more than one cover, I’ve included both below.)


The Mammoth Book of Best New Horror, Vol. 1, 1990

 

Table of Contents

xiii • Introduction: Horror in 1989 • [Horror in … Introductions] • (1990) • essay by Stephen Jones and Ramsey Campbell
1 • Pin • (1989) • short story by Robert R. McCammon
8 • The House on Cemetery Street • (1988) • novelette by Cherry Wilder
33 • The Horn • (1989) • novelette by Stephen Gallagher
57 • Breaking Up • (1989) • short story by Alex Quiroba
66 • It Helps If You Sing • (1989) • short story by Ramsey Campbell
75 • Closed Circuit • (1989) • novelette by Laurence Staig
93 • Carnal House • (1989) • short story by Steve Rasnic Tem
104 • Twitch Technicolor • (1989) • short story by Kim Newman
115 • Lizaveta • (1988) • novelette by Gregory Frost
144 • Snow Cancellations • (1989) • short story by Donald R. Burleson
154 • Archway • (1989) • novelette by Nicholas Royle
176 • The Strange Design of Master Rignolo • (1989) • short story by Thomas Ligotti
189 • …To Feel Another’s Woe • (1989) • short story by Chet Williamson
205 • The Last Day of Miss Dorinda Molyneaux • (1989) • novelette by Robert Westall
236 • No Sharks in the Med • (1989) • novelette by Brian Lumley
275 • Mort au Monde • (1989) • short story by D. F. Lewis
279 • Blanca • (1989) • novelette by Thomas Tessier
303 • The Eye of the Ayatollah • (1990) • short story by Ian Watson
312 • At First Just Ghostly • [Kane] • (1989) • novella by Karl Edward Wagner
370 • Bad News • (1989) • short story by Richard Laymon
383 • Necrology: 1989 (Best New Horror) • [Necrology (Jones & Newman)] • (1990) • essay by Stephen Jones and Kim Newman


The Mammoth Book of Best New Horror, Vol. 2, 1991

 

Table of Contents

xvii • Introduction: Horror in 1990 • [Horror in … Introductions] • essay by Stephen Jones and Ramsey Campbell
1 • The First Time • (1990) • short story by K. W. Jeter
14 • A Short Guide to the City • (1990) • short story by Peter Straub
25 • Stephen • (1990) • novelette by Elizabeth Massie
47 • The Dead Love You • (1989) • short story by Jonathan Carroll
60 • Jane Doe #112 • (1990) • short story by Harlan Ellison
70 • Shock Radio • (1990) • short story by Ray Garton
89 • The Man Who Drew Cats • (1990) • short story by Michael Marshall Smith
105 • The Co-Op • (1990) • short story by Melanie Tem
115 • Negatives • (1990) • short story by Nicholas Royle
126 • The Last Feast of Harlequin • [Cthulhu Mythos] • (1990) • novelette by Thomas Ligotti
159 • 1/72nd Scale • (1990) • novelette by Ian R. MacLeod
185 • Cedar Lane • (1990) • short story by Karl Edward Wagner
194 • At a Window Facing West • (1990) • short story by Kim Antieau
205 • Inside the Walled City • (1990) • novelette by Garry Kilworth
222 • On the Wing • (1990) • short story by Jean-Daniel Brèque
230 • Firebird • (1990) • novelette by J. L. Comeau
252 • Incident on a Rainy Night in Beverly Hills • (1990) • novelette by David J. Schow
272 • His Mouth Will Taste of Wormwood • [Cthulhu Mythos] • (1990) • short story by Poppy Z. Brite

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Interview: Thomas Ligotti and the Realm of Nightmares

Interview: Thomas Ligotti and the Realm of Nightmares

Weird Fiction Review, 2015

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While Thomas Ligotti has been cited by authors as the greatest living writer of the Weird, mainstream recognition of his work has seemed to lag behind. However, this month Penguin is publishing a new work in its series of classics that combines two of Ligotti’s earliest collections, Songs of a Dead Dreamer and Grimscribe: His Lives and Works. With Penguin adding Ligotti’s work to its classics lineup, it would seem that Ligotti might finally be getting the long overdue exposure he deserves for his seminal contribution to dark fiction. The following interview was done on the occasion of the publication of Thomas Ligotti’s Songs of a Dead and Grimscribe in the Penguin Literary Classics series.

Were there any particular events in your life that pushed your imagination to contemplate horror?

I think the first and foremost source of horror that preoccupied my mind were nightmares. I’ve been a professional at bad dreams all my life. Hamlet had nothing on me as far as that’s concerned. Nightmares are the only realm in which we are without help and absent of all hope of being saved from the worst and most unnatural fates. But that’s all very abstract, and I don’t think it’s the response you’re looking to get from me. No doubt I did have more than my share of nightmares. There were other things, though, and I’m not sure I can put my finger on what they were or how much any one of them might be blamed or credited for my obsession with the artistic expression of horror. I was often sick as a child. Often my illnesses were accompanied by fevers and deranged perceptions that they bring about — malignant faces on the ceiling of my bedroom, shadows in corners, shapes watching me from dark places, that sort of thing. When I was two years old, I was hospitalized and operated on for an abdominal rupture. In my reading on authors of supernatural writing, I came across an article on childhood surgical procedures, focusing on one in particular that had been undergone by Bram Stoker. The person who wrote the article had a theory on what effect this may have had on the man who would later write Dracula and other tales of things that did not exist and could not exist in our so-called normal world, the real and orderly world where the substance of our lives is assumed to be played out. And of course H. P. Lovecraft recorded at length in his letters the journeys he made to a world without any rules concerning what should be and what should not be. I have to say that my destinations were more mundane but it’s the emotions aroused by nightmares affects us most. They have no counterpart in intensity and suggestion in our daylight lives.

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