This “Scorched Memo” Is Proof That the US Government Murdered President John F. Kennedy

Click above images to enlarge…

We now have LEAKED PROOF that the US govt ASSASSINATED President John F KENNEDY. I was shocked to see these burned pages!

“As far as I know, this ‘burned memo’ is the only document that I’ve ever heard anyone claim could be the authorization to kill President John F. Kennedy.”

– Robert Wood, Ph.D., Physicist and Retired Aerospace Manager

These two pages are from a 9-page memo that was thrown into a fire to be destroyed but then pulled out by a man who died in 1987. Before his death he leaked the story of the “scorched memo”. There’s a link at the end of this post to the whole memo and explanation. These two pages are the important ones. Things to note while readin: MJ-1 was code for Dulles himself. “Lancer” was what the secret service called JFK during his presidency. And the last words on the second image “it should be wet” is known to be a code phrase taken from the Russians that means “to assassinate someone”—“wet” being a reference to spilled blood.

So what this memo is saying is that JFK was getting to close to TOP SECRET information and Dulles is asking “MJ-12” (Majestic 12 = code name of secret committee of scientists, military, and govt officials, formed in 1947 by President Truman to facilitate recovery/investigation of alien spacecraft.)—and reminding MJ-12 that they may have “to wet” or “wet up” (second set of pages above) Kennedy, i.e., kill him.

One month after the date of this memo, JFK was shot dead in Dallas.

---

---

If you want to know the full details, this PDF has it all:

Click to access 6404101-JFK-MJ12.pdf

---

More here:

http://911debunkers.blogspot.com/2018/07/did-president-john-f-kennedy-seek-ufo.html?m=1

---

FBI doc on MJ-12 from FBI Website:

https://vault.fbi.gov/Majestic%2012/Majestic%2012%20Part%201%20of%201/view

---

Majestic 12:

https://en.m.wikipedia.org/wiki/Majestic_12

---

Video of Interest:

New Receptors Found in Human Retina Are the Cause of Seasonal Depression (SAD)

Just in Time for the Winter Solstice—Great Piece on Seasonal Depression and the Brain

from NPR:

Just in time for the winter solstice, scientists may have figured out how short days can lead to dark moods.

Two recent studies suggest the culprit is a brain circuit that connects special light-sensing cells in the retina with brain areas that affect whether you are happy or sad.

When these cells detect shorter days, they appear to use this pathway to send signals to the brain that can make a person feel glum or even depressed.

“It’s very likely that things like seasonal affective disorder involve this pathway,” says Jerome Sanes, a professor of neuroscience at Brown University.

Sanes was part of a team that found evidence of the brain circuit in people. The scientists presented their research in November at the Society for Neuroscience meeting. The work hasn’t been published in a peer-reviewed journal yet, but the researchers plan to submit it.

A few weeks earlier, a different team published a study suggesting a very similar circuit in mice.

The Devil’s Punchbowl: Yet Another Horrible Historical Event You’re History Teachers Never Taught You About!

A Homosexual, a Pioneer, a Human rights Activist, & a Fiery Freedom Fighter—Hung by the Crown for Treason: Meet Sir Robert Casement

Untold story of one of the most horrifying crimes of the twentieth century.

In September 1910, the human rights activist and anti-imperialist Roger Casement arrived in the Amazon to investigate reports of widespread human rights abuses in the vast forests stretching along the Putumayo river. There, the Peruvian entrepreneur Julio César Arana ran an area the size of Belgium as his own private fiefdom; his British registered company operated a systematic programme of torture, exploitation and murder.

Fresh from documenting the scarcely imaginable atrocities perpetrated by King Leopold in the Congo, Casement was confronted with an all too recognisable scenario. He uncovered an appalling catalogue of abuse: nearly 30,000 Indians had died to produce four thousand tonnes of rubber.

From the Peruvian rainforests to the City of London, Jordan Goodman, in The Devil and Mr. Casement, recounts a crime against humanity that history has almost forgotten, but whose exposure in 1912 sent shockwaves around the world. Drawing on a wealth of original research, The Devil and Mr Casement is a story of colonial exploitation and corporate greed with enormous contemporary political resonance.

Reviews

“Meticulously researched … A riveting, if harrowing, narrative which, in its treatment of corporate greed and exploitation, is full of contemporary resonance. A rich, moving, important book.” – Independent on Sunday

Above, clockwise: Casement in his 50s, he would be executed shortly; walking out of court after his appeal had been denied; Casement’s funeral in Ireland.

The New Yorker:

In 1910, the British government asked Roger Casement, a consular official, to investigate reports that a British-registered rubber-trading company was exploiting Barbadian workers in the Amazon. Intrepid and resourceful, Casement gathered testimonies about the armed extortion and debt bondage that supported the rubber trade. Back in London, he championed the rights of the Barbadian migrants as well as those of the indigenous Indians, tens of thousands of whom had died harvesting wild rubber for their masters. Casement was knighted for his efforts. But the adulation did not last. An Irish nationalist, he eventually left the consular services and devoted himself to organizing and arming the Irish Volunteers. In 1916, he was arrested and hanged for treason. With vivid touches of imagination and humor, Goodman captures the drama and paradox of Casement’s varied life. ♦

Tumblr:

In 1910, the British government asked Roger Casement, a consular official, to investigate reports that a British-registered rubber-trading company was exploiting Barbadian workers in the Amazon. Intrepid and resourceful, Casement gathered testimonies about the armed extortion and debt bondage that supported the rubber trade. Back in London, he championed the rights of the Barbadian migrants as well as those of the indigenous Indians, tens of thousands of whom had died harvesting wild rubber for their masters. Casement was knighted for his efforts. But the adulation did not last. An Irish nationalist, he eventually left the consular services and devoted himself to organizing and arming the Irish Volunteers. In 1916, he was arrested and hanged for treason. With vivid touches of imagination and humor, Goodman captures the drama and paradox of Casement’s varied life. ♦

Further Reading

https://www.firstworldwar.com/bio/casement.htm

http://www.easter1916.ie/index.php/people/a-z/roger-casement/

https://www.planetromeo.com/en/blog/gay-history-sir-roger-casement/

https://www.rte.ie/centuryireland/index.php/articles/the-life-and-death-of-roger-casement

https://www.theguardian.com/books/2016/sep/28/roger-casement-gay-irish-martyr-or-victim-of-a-british-forgery

https://www.irishcentral.com/roots/history/roger-casement-easter-rising-executed

https://www.lrb.co.uk/v34/n17/colm-toibin/a-man-of-no-mind

https://www.firstthings.com/blogs/firstthoughts/2011/11/roger-casement-the-gay-irish-humanitarian-who-was-hanged-on-a-comma

Click thumbnails to enlarge images:

Link to The Devil and Mr. Casement

What Happened to George Washington’s Home During the US Civil War?

Mount Vernon Today (MountVernon.org)

---

Military pass signed by General Winfield Scott for Sarah Tracy of the Mount Vernon Ladies’ Association. The document enables her to pass “through the United States lines” to get to Mount Vernon during the Civil War; dated October 2, 1861.

---

The outbreak of the Civil War provided significant challenges to the preservation of George Wagington’s home at Mount Vernon, as the sectional crisis occurred during the infancy of the Mount Vernon Ladies’ Association. The violent nature of the conflict could have destroyed Mount Vernon as a physical structure while also tearing up the personal threads that bound the nascent Association. Despite the challenges, the Association was able to keep the property protected and open to the public during the war.

An early image of the Mount Vernon Ladies’ Association—the group that singlehandedly saved the home of George Washington for posterity.

---

The Mount Vernon Ladies’ Association took over operation of the estate in 1860 in an effort to stabilize and restore the mansion. As restoration efforts progressed, the political situation in the United States deteriorated. Mount Vernon, as a result, was in a precarious position. At the same time, Ann Pamela Cunningham was forced to return to her family home in South Carolina in the fall of 1860 to help run the family plantation following her father’s death.

Above: George and Martha Washington’s bed chambers at Mount Vernon.

With the conflict making travel difficult for Cunningham, the estate was managed by two staff members during the Civil War; a Northerner and a Southerner. Cunningham’s secretary, Sarah C. Tracy and Upton H. Herbert, Mount Vernon’s first Resident Superintendent, managed the estate through the war years. There were also free African-American employees working at the estate, including Emily the cook, Priscilla the chambermaid, Frances, a maid, and George, the coachman and general assistant.1

Sarah Tracy, pictured above in an image taken in 1859, watched over the Mount Vernon estate during the six-year-long Civil War—her efforts ensured its safety as a piece of American history.

---

Cunningham believed that it was imperative that no military outposts were placed within the borders of the estate in order to physically protect the property. After a visit from Tracy, on July 31, 1861 General Winfield Scott issued Order Number 13, declaring the estate’s status as non-partisan. A large proportion of the visitors during the war were still soldiers, though without military aims. Soldiers who visited the estate were requested to be neither armed nor dressed in military uniform. Such actions ensured that Mount Vernon remained neutral, respected grounds.

Above, left: Mount Vernon’s 8’1” high cupola; above, right: the Washington’s dining room.

The end of the conflict had an immediate positive impact on the preservation of Mount Vernon. In November 1866 Cunningham was able to travel to meet with her Vice Regents and staff for the first time in six years. The Ladies’ Association passed a resolution reflecting a new post-war optimism, expressing their “unqualified approval of the manner in which the Superintendent and the Secretary had discharged the arduous duties committed to their charge. . .under difficult circumstances, the Mansion and grounds under their charge have been so well preserved and protected.”2 Despite the challenges, Mount Vernon remained safe and open throughout the war.

The piazza at Mount Vernon faces the Potomac River.

---

Notes

1. “Mollie ______ to Caroline L. Rees, 21 October 186[1-4],” Kirby Rees Collection, Special Collections, University of Virginia Library, Charlottesville, Virginia; typescript, Mount Vernon Ladies’ Association.

2. Quoted in Dorothy Troth Muir, Presence of a Lady: Mount Vernon, 1861-1868 (Mount Vernon, Virginia: Mount Vernon Ladies’ Association, 1975), 86.

Source: https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/the-civil-war-years/

Read more, here:

https://www.mountvernon.org/preservation/mount-vernon-ladies-association/early-history-of-the-mount-vernon-ladies-association/#g-1160_m-everett2

https://www.mountvernon.org/the-estate-gardens/the-mansion/the-mansion-room-by-room/#-

https://www.mountvernon.org/the-estate-gardens/the-mansion/the-mansion-basement/

President Trump Just Called Himself a ‘Nationalist.’ Here’s What That Means—and Why It’s So Dangerous.

Nationalism is not patriotism. Just ask George Orwell.

Normally, there’s a kind of catharsis in watching someone finally admit to themselves and the world who they truly are. Not here. It has never been much of a secret that Donald Trump, American president, is a nationalist. The debate is more often over what adjective might go in front. And yet it was singularly unnerving on Tuesday—in the context of a midterm election campaign in which he and his Republican allies are appealing to racism and anti-immigrant sentiment and fear in a strategy so explicit that The New York Times felt comfortable calling it out—to hear him declare, loudly and proudly, that he is “a nationalist, OK?”

The juxtaposition here between “globalist” and “nationalist” is a Steve Bannon joint—a nice hat-tip to the guy on a day where he could be found playing a near-empty conference room on Staten Island. It’s the kind of binary nonsense that authoritarian types feed on, an us-or-them formulation where the United States can succeed, or the wider world can succeed, but you can’t have both. In the context of a globalized, entirely interconnected world—a development Trump is powerless to reverse—it is fantasy. But it gets the people going.

Now that the President of the United States has embraced it as his own, it’s worth digging into what the term “nationalist” actually means and the historical baggage it carries. For this, we can turn once again to George Orwell, the legendary British theorist who, more recently, has become a prop for diaper-wearing right-wing propagandists who looked him up on brainy quote dot com. The essential point, also made eloquently by Charles de Gaulle, is that not only are nationalism and patriotism not the same, the gap between them is not some difference of degree. They are often wholly contrasting emotional forces, as Orwell writes in his Notes on Nationalism:

Rue Morgue Suspiria Issue with Cover Art by Rob Birchfield!

“I know that bent-neck lady is pretty scary…but that’s all she is…just a little spill.”

“Remember what we talked about before? About our dreams?”

“They can spill.”

“That’s right. Yeah. Just like a cup of water can spill sometimes. But kids dreams are special. They’re like…”

”An ocean.”

”An ocean. That’s right. And the big dreams can spill out sometimes….Now I know that bent-neck lady can be pretty scary. But that’s all she is. She’s just a little spill.”

”How long do we have to live here, Daddy?”

”Well, your mother and I, we have to finish fixing this house. And then, someone has to buy it.”

“Then we can go?”

“Yep. Then we can go.”

---

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against the hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily. against the wood and stone of Hill House, and whatever walked there, walked alone.

—Shirley Jackson, The Haunting of Hill House, 1959

 

 

A Suggestion of Ghosts, Supernatural Fiction by Women 1854 – 1900, ed. by A. J. Mains, from Black Schuck Books

Table of Contents

• A Veritable Ghost Story by Susanna Moodie
• The Spectral Rout by Frances Power Cobbe
• A Legend of All-Hallow Eve by Georgiana S. Hull
• The Ghost of the Nineteenth Century by Phoebe Pember
• The Ghost Room by Clara Merwin
• Miss Massereene’s Ghost by E.A. Henty
• Vindication of the Supernatural by Manda L. Crocker
• The Warneford Abbey Ghost by Ada Maria Jocelyn
• A Speakin’ Ghost by Annie Trumbull Slosson
• The Closed Cabinet by Lady Gwendolen Gascoyne-Cecil
• The Little Green Door by Mary Eleanor Wilkins Freeman
• The Death Spancel by Katharine Tynan
• The House That Wouldn’t Let by Mrs Hattie H. Howard
• At the Witching Hour by Elizabeth Gibert Cunningham-Terry
• The Oakleigh Ghost by Annie Armitt

About the Book

British Fantasy Award-winning editor J.A. Mains presents an all-female anthology of supernatural stories, first published between 1854 and 1900. Mains has trawled the archives to find fifteen tales which have not seen print since their original publications. Featuring cover art from multiple time British Fantasy Award-winner Les Edwards, and an introduction by Lynda Rucker, A Suggestion of Ghosts is an important volume for those interested in the Victorian era of supernatural tales.

Black Shuck is very proud to announce the first of two ghost story anthologies from Johnny (A J) Mains, an all-female anthology of ghost stories written from 1826 – 1897. Johnny has been deep in the cobwebbed archives of decaying periodicals, collections and newspapers and has found British, Irish, American and Australian stories that have never been anthologized since their original publication up to 190 years ago. Mains is thrilled that he can also attribute the correct authorship to ‘The Closed Cabinet’ to Lady Gwendolyn Gascoyne-Cecil, which has been continuously published under the by-line ‘Anon’ since its original appearance in Blackwood’s Edinburgh Magazine in January of 1895.

Mains feels that A Suggestion of Ghosts will be an invaluable book for those desperately seeking to read and research supernatural tales which have long faded away and have been forgotten about.

There will be a limited hardback edition of 100 numbered copies, with artwork by Edward Miller (Les Edwards) and Mike Mignola. The book will also be signed by Mains and Edwards. A Suggestion of Ghosts will also contain original publication dates of stories and biographies of the authors.

Two months after the publication of the hardback, there will be a simultaneous paperback and e-book release, this will contain two stories less than the hardback.

Read more: http://vaultofevil.proboards.com/thread/6591/suggestion-ghosts-mains#ixzz5TjqFSWHV

Link to Buy the Paperback

https://blackshuck.greatbritishhorror.com/a-suggestion-of-ghosts/

An Obscurity of Ghosts, ed. by J. A. Mains Hardback Coming Late 2018! (TOC + Link)

Table of Contents

• The Pin Ghost by E T Corbett
• The Mysterious House by Mrs M C Despard
• Not Exactly a Ghost Story by Mary Louisa Molesworth
• A Bristol Ghost Story by Alice Horlor
• The American Ghost by Lucretia P Hale
• The Ghostly Lady by Harriet Elizabeth Prescott Spofford
• The Room with the Staircase by Mrs E Fitzmaurice
• Miss Tweed’s Ghost Story by Sarah Doudney
• A Night in a Haunted House by (Mattie) May Jordan
• The White Priest by Hélène Gingold
• Grannie’s Ghost Story by Lucy Hardy
• The Ghost of My Dead Friend by Wilhelmina Fitzclarence, Countess of Munster
• Playing the Ghost by Mrs Edith E Cuthell
• A Chestnutting Ghost by Margaret Barringer
• The Phantom Ride by Lyllian Huntley

About the Book

Following the success of A Suggestion of Ghosts, British Fantasy Award-winning editor J.A. Mains presents a second all-female anthology of ghost stories written between 1876 and 1902. Mains has once again been trawling the archives to find another fifteen tales, fourteen of which have not been anthologised since their original publications.

Featuring cover art from multiple time British Fantasy Award-winner Les Edwards, and an introduction by Melissa Edmundson, AN OBSCURITY OF GHOSTS will be another important volume for those interested in the Victorian era of supernatural tales.

This hardback edition of AN OBSCURITY OF GHOSTS will be limited to 50 numbered copies, each signed by editor J.A. Mains and artist Les Edwards.

Link to Preorder

https://blackshuckbooks.co.uk/obscurity/