For information on an ebook edition, please contact firstname.lastname@example.org. (Photos by a Sanguine Woods.)
If you’re like me, you love a good horror series. Hell, series are cool, period, right? I remember my 1970s collection of The Occult Files of Doctor Spektor! I treasured those 19 or 20 comics. Add the amazing artwork and illustrations that a series often comes with, and they’re great! Throw in a great editor and the really good writers, telling their most frightening stories—and series are fantastic!!
I have been collecting Stephen Jones’ The Mammoth Book of Best New Horror since around 2003 and I finally have them all in either hard copy or digital editions. But having more isn’t always easier! I’m always going: Where did I place that one book with the killer vampire story in it? Or which book was that crazy story about the “sticks” in? you know by Wagner?
Well, now-a-days it’s very easy to look things up and put a quick name to a book to a page number … and find just what you’re looking for. But back in the day? It was a treasure hunt!
But look no further—because here is the ultimate Master List (thank you ISFDB & StephenJoneseditor.com) of Tables of Contents from all 28 anthologies!—and the covers!*—almost three decades of great short horror fiction! “That’s gotta be like forty-eight hundred teeth!”
(*If an edition had more than one cover, I’ve included both below.)
xiii • Introduction: Horror in 1989 • [Horror in … Introductions] • (1990) • essay by Stephen Jones and Ramsey Campbell
1 • Pin • (1989) • short story by Robert R. McCammon
8 • The House on Cemetery Street • (1988) • novelette by Cherry Wilder
33 • The Horn • (1989) • novelette by Stephen Gallagher
57 • Breaking Up • (1989) • short story by Alex Quiroba
66 • It Helps If You Sing • (1989) • short story by Ramsey Campbell
75 • Closed Circuit • (1989) • novelette by Laurence Staig
93 • Carnal House • (1989) • short story by Steve Rasnic Tem
104 • Twitch Technicolor • (1989) • short story by Kim Newman
115 • Lizaveta • (1988) • novelette by Gregory Frost
144 • Snow Cancellations • (1989) • short story by Donald R. Burleson
154 • Archway • (1989) • novelette by Nicholas Royle
176 • The Strange Design of Master Rignolo • (1989) • short story by Thomas Ligotti
189 • …To Feel Another’s Woe • (1989) • short story by Chet Williamson
205 • The Last Day of Miss Dorinda Molyneaux • (1989) • novelette by Robert Westall
236 • No Sharks in the Med • (1989) • novelette by Brian Lumley
275 • Mort au Monde • (1989) • short story by D. F. Lewis
279 • Blanca • (1989) • novelette by Thomas Tessier
303 • The Eye of the Ayatollah • (1990) • short story by Ian Watson
312 • At First Just Ghostly • [Kane] • (1989) • novella by Karl Edward Wagner
370 • Bad News • (1989) • short story by Richard Laymon
383 • Necrology: 1989 (Best New Horror) • [Necrology (Jones & Newman)] • (1990) • essay by Stephen Jones and Kim Newman
xvii • Introduction: Horror in 1990 • [Horror in … Introductions] • essay by Stephen Jones and Ramsey Campbell
1 • The First Time • (1990) • short story by K. W. Jeter
14 • A Short Guide to the City • (1990) • short story by Peter Straub
25 • Stephen • (1990) • novelette by Elizabeth Massie
47 • The Dead Love You • (1989) • short story by Jonathan Carroll
60 • Jane Doe #112 • (1990) • short story by Harlan Ellison
70 • Shock Radio • (1990) • short story by Ray Garton
89 • The Man Who Drew Cats • (1990) • short story by Michael Marshall Smith
105 • The Co-Op • (1990) • short story by Melanie Tem
115 • Negatives • (1990) • short story by Nicholas Royle
126 • The Last Feast of Harlequin • [Cthulhu Mythos] • (1990) • novelette by Thomas Ligotti
159 • 1/72nd Scale • (1990) • novelette by Ian R. MacLeod
185 • Cedar Lane • (1990) • short story by Karl Edward Wagner
194 • At a Window Facing West • (1990) • short story by Kim Antieau
205 • Inside the Walled City • (1990) • novelette by Garry Kilworth
222 • On the Wing • (1990) • short story by Jean-Daniel Brèque
230 • Firebird • (1990) • novelette by J. L. Comeau
252 • Incident on a Rainy Night in Beverly Hills • (1990) • novelette by David J. Schow
272 • His Mouth Will Taste of Wormwood • [Cthulhu Mythos] • (1990) • short story by Poppy Z. Brite
Hidden in this amazing artwork are references to 21 Stephen King books and stories. Can you find them all?
This limited-edition 11″x17″, hand-signed print by artist Mortimer Glum, comes with a diagram showing all the hidden King references. The print was created for a recent Bangorefest appearance in Stephen King’s hometown of Bangor, Maine, and we’re now offering it online for the first time.
Get yours before they’re gone!
‘The form in which this narrative is cast must necessarily be an arbitrary one. In the main it follows the story pieced together by Dr Lister and myself as we sat on the
terrace of his Long Island house one night in the summer of 193–. But in retelling it I have not tried to follow exactly the wording of our conversation. To do so would leave many things obscure to readers who did not know Selena, Jerry, and the rest of us. Therefore I have allowed myself the liberties of adding certain descriptions of people and places, and of attempting to suggest now and again the atmosphere of strangeness, even of terror, which was so much a part of my life while these events were in progress.
My belief is that this story is unlikely to attract much attention. Essentially it is concerned with people whose very names, with one exception, are unknown to the general public. One of them is now dead and another is alive merely in the physical sense of the word. The evidence which I can bring forward in support of its truth is almost wholly indirect, and psychological rather than circumstantial.
With some hesitation I submitted galley proofs of this book to Alan Parsons, who worked on the LeNormand case from its beginning. The letter he sent in reply is confidential, and I am not free to print it here. Thanks, however, to valuable suggestions from him the presentation of the facts has been revised in several places, and where my narrative touches upon the evidence in the official records it is at least accurate. Its interpretation, of course, is entirely Dr Lister’s and mine. What Parsons may have thought of it I cannot tell for certain. But some weeks ago, in making a final check on the transcripts of parts of the evidence, I went to his office at New Zion. When his secretary brought me the case folders I observed that she took them out of a file drawer labeled “closed.”
I am not sure that it is wise to make this story a matter of public record. Dr Lister and I have hesitated before doing so. Our ultimate decision is based upon the belief that it is never expedient to suppress the truth. We do not expect it to secure immediate acceptance. There are some experiences which are alien to everyday life; they are “doomed for a certain term to walk the night” before the mind of man either recognizes them for what they are or dismisses their appearance as fantasy.’
Berkeley M. Jones
Long Island, 1954
And mind alone is never whole,
But needs the body for a soul.
– Struthers Burt: Pack-Trip: Suite
THE driveway began to dip to the long pitch of the bluff. The old taxi lumbered around curves and dropped heavily down the slope, its tires making a strong, harsh noise as they rolled over the gravel. The sound told me, without my having to open my eyes, how close we were to the house. Only a minute more to lie back in the refuge of this dilapidated sedan and be carried along without effort and without thought. Then the narcotic of traveling, of surrendering myself to the mere forward motion of train and automobile, would wear off. For twenty-five hundred miles and three days I had tried to imagine what I would do when the wheels under me stopped rolling and I should have to rouse myself to action.
This is the decade where film really started to see how far it could go in terms of gritty and sordid realism as America reeled from the images and their eventual loss of the Vietnam War. As Robert de Niro so prosaically put it: ‘Each night… I have to clean the come off the back seat. Some nights I clean off the blood.’ Outside the genre, violent movies were drawing the crowds, the like of Taxi Driver, The Godfather and The Deer Hunter, following on from 1967’s Bonnie and Clyde. It was also the decade of the (s)exploitation movie, though for the horror fan the most notable of these is Spermula, by its title alone (we’re not sure if The Sexorcist counts).
While there are certainly individual novels of great merit in the genre up to this point, fiction had been dominated by the short story since the demise of the Gothic Novel in the previous century. That all changed in this decade, and the novel would soon be the dominant form. Preceded by such successes as Levin , Fred Mustard Stewart’s The Mephisto Waltz (1969) and Blatty , the deluge began in 1973, soon finding Stephen King  as a champion.
The re-growth of the popularity of horror on the stage started slowly this decade, the first real indication being Don Taylor’s The Exorcism (1975), playing at London’s Comedy Theatre, starring Honor Blackman and Brian Blessed. The show didn’t last long due the death of another lead, Mary Ure, but received rave reviews. The Rocky Horror Show  and other successes had already occurred, including major adaptations of Blithe Spirit (originally by Noel Coward in 1942) and Sherlock Holmes (1974), with America taking the hint with The Crucifer of Blood (Paul Giovanni) three years later. Another American version of Dracula (1979)  was a ‘miracle of production design and barely concealed eroticism’, though the English tour somehow turned high drama into comic absurdity . This all set the stage, so to speak, for greater things to come, in the [1980s]
A critical year for all death and speed metal, gloom and doom rock fans with the release of Black Sabbath’s first album. Make all the cracks you want about their imbecility, their inability to play their instruments beyond the most rudimentary of levels, their pretentiousness, whatever — the fact remains that there could have been no satanic/death/end of the world/crazed killer from beyond the pale metal without these Birmingham lads. — Tristan Riley
Getting the whole gritty-film-thing off to a fine start was Stanley Kubrick’s A Clockwork Orange, based on Anthony Burgess’ novel of 1962. With its alienating view of rape, ultra-violence and Beethoven, it engendered a rather large amount of controversy, but also carried its own message about the rights of the individual. Not strictly a horror story, excess pushes it into the genre. Stanley Kubrick’s other major horrific foray was The Shining (1980). ‘At 14 [David Duchovny] saw A Clockwork Orange “which didn’t necessarily make me want to be an actor, but did make me want to be a criminal!”‘ [interview in The Sun-Herald, 21/1/96]. [Clippings]
Joseph Conrad’s Heart of Darkness is published. As an exploration of the darker side of the soul it deserves mention, and is also considered the first twentieth century novel. Francis Ford Coppola moved the premise into Vietnam to see what would happen in 1979, whereas Nicholas Roeg’s telemovie (1994) was set in the original’s time period.
‘The Monkey’s Paw’ is W. W. Jacobs’ contribution to the genre, and a significant one it is — probably the most famous short horror story, certainly of those written this century.
The first collection from M. R. James, Ghost Stories of an Antiquary, is published, heralding one of the most respected of this century’s horror authors, particularly in his speciality of the quiet but creepy ghost story.
The Listener is published, a book of short stories by Algernon Blackwood containing his best-regarded work, ‘The Willows’. Blackwood was only one of a number of successful authors belonging to the Order of the Golden Dawn, an occult society created in 1888 by Samuel Liddell MacGregor Mathers, and whose most infamous member was Aleister Crowley. Other notable members were William Butler Yeats, Arthur Machen (debuting with ‘The Great God Pan’ in 1894), Lord Dunsany and the incredibly popular (in his time) Sax Rohmer who gave the world Dr Fu Manchu. This group represented not only most of the weird fiction originating in the UK at the time (one report lists Bram Stoker as a member), but is the last flourishing of English horror literature till James Herbert and Clive Barker .
Among the first experiments with film there were a number of gruesome and fantastic scenes, but the first real horror movie was probably William N. Selig’s 16 minute version of Dr Jekyll and Mr Hyde .