“The Screaming Skull”—A Vintage Ghost Story by F. Marion Crawford, 1908

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Art by Devin Francisco (deviantart.com).

The Screaming Skull

F. Marion Crawford, 1908


Below: “The Screaming Skull originally appeared in Volume 41 of Collier’s National Weekly Magazine—in two parts—in the July 11 and July 18, 1908 issues. (Click thumbnails to enlarge.)

Top-left: The 1911 book cover for F. Marion Crawford’s story collection Wandering Ghosts, which included “The Screaming Skull”; and top-right: Original story illustration for the 1911 edition (caption reads: “What? . . . It’s gone, man, the Skull is gone!!”); artist unknown. (Images: Wiki; Pinterest; Haithi Trust; Public Domain.)

I have often heard it scream. No, I am not nervous, I am not imaginative, and I have never believed in ghosts, unless that thing is one. Whatever it is, it hates me almost as much as it hated Luke Pratt, and it screams at me.

If I were you, I would never tell ugly stories about ingenious ways of killing people, for you never can tell but that someone at the table may be tired of his or her nearest and dearest. I have always blamed myself for Mrs Pratt’s death, and I suppose I was responsible for it in a way, though heaven knows I never wished her anything but long life and happiness. If I had not told that story she might be alive yet. That is why the thing screams at me, I fancy.

She was a good little woman, with a sweet temper, all things considered, and a nice gentle voice; but I remember hearing her shriek once when she thought her little boy was killed by a pistol that went off, though everyone was sure that it was not loaded.

It was the same scream; exactly the same, with a sort of rising quaver at the end; do you know what I mean? Unmistakable.

The truth is, I had not realized that the doctor and his wife were not on good terms. They used to bicker a bit now and then when I was here, and I often noticed that little Mrs Pratt got very red and bit her lip hard to keep her temper, while Luke grew pale and said the most offensive things. He was that sort when he was in the nursery, I remember and afterward at school. He was my cousin, you know; that is how I came by this house; after he died, and his boy Charley was killed in South Africa, there were no relations left. Yes, it’s a pretty little property, just the sort of thing for an old sailor like me who has taken to gardening.

One always remembers one’s mistakes much more vividly than one’s cleverest things, doesn’t one? I’ve often noticed it. I was dining with the Pratts one night, when I told them the story that afterwards made so much difference. It was a wet night in November, and the sea was moaning. Hush! – if you don’t speak you will hear it now…

Do you hear the tide? Gloomy sound, isn’t it? Sometimes, about this time of year – hallo! – there it is! Don’t be frightened, man – it won’t eat you – it’s only a noise, after all! But I’m glad you’ve heard it, because there are always people who think it’s the wind, or my imagination, or something. You won’t hear it again tonight, I fancy, for it doesn’t often come more than once. Yes – that’s right. Put another stick on the fire, and a little more stuff into that weak mixture you’re so fond of. Do you remember old Blauklot the carpenter, on that German ship that picked us up when the Clontarf went to the bottom? We were hove to in a howling gale one night, as snug as you please, with no land within five hundred miles, and the ship coming up and falling off as regularly as clockwork – ‘Biddy te boor beebles ashore tis night, poys!’ old Blauklot sang out, as he went off to his quarters with the sail-maker. I often think of that, now that I’m ashore for good and all.

Yes, it was on a night like this, when I was at home for a spell, waiting to take the Olympia out on her first trip – it was on the next voyage that she broke the record, you remember – but that dates it. Ninety-two was the year, early in November.

The weather was dirty, Pratt was out of temper, and the dinner was bad, very bad indeed, which didn’t improve matters, and cold, which made it worse. The poor little lady was very unhappy about it, and insisted on making a Welsh rarebit on the table to counteract the raw turnips and the half-boiled mutton. Pratt must have had a hard day. Perhaps he had lost a patient. At all events, he was in a nasty temper.

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Lafayette Cemetery, Garden District, New Orleans, 2017

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The  city is so far below sea level that, to avoid flooding problems, the graveyards had to be built with mini-mausoleums—all above ground. No one in Lafayette Cemetery gets “buried”—unsettling, isn’t it? Photographer unknown. (RivertoRiver1818/tumblr)

“Sometimes They Come Back”—An Early Horror Story by Stephen King, 1978

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Art by Betamaxxmusic @ deviantart.com inspired by poster for the 1991 film based on Stephen King’s story “Sometimes They Come Back”. 

Jim Norman’s wife had been waiting for him since two, and when she saw the car pull up in front of their apartment building, she came out to meet him. She had gone to the store and bought a celebration meal—a couple of steaks, a bottle of Lancer’s, a head of lettuce, and Thousand Island dressing. Now, watching him get out of the car, she found herself hoping with some desperation (and not for the first time that day) that there was going to be something to celebrate.

He came up the walk, holding his new briefcase in one hand and four texts in the other. She could see the title of the top one—Introduction to Grammar. She put her hands on his shoulder and asked,

‘How did it go?’

And he smiled.

But that night, he had the old dream for the first time in a very long time and woke up sweating, with a scream behind his lips.

His interview had been conducted by the principal of Harold Davis High School and the head of the English Department. The subject of his breakdown had come up.

He had expected it would.

The principal, a bald and cadaverous man named Fenton, had leaned back and looked at the ceiling. Simmons, the English head, lit his pipe.

‘I was under a great deal of pressure at the time,’ Jim Norman said. His fingers wanted to twist about in his lap, but he wouldn’t let them.

‘I think we understand that,’ Fenton said, smiling. ‘And while we have no desire to pry, I’m sure we’d all agree that teaching is a pressure occupation, especially at the high-school level. You’re on-stage five periods out of seven, and you’re playing to the toughest audience in the world. That’s why,’ he finished with some pride, ‘teachers have more ulcers than any other professional group, with the exception of air-traffic controllers.’

Jim said, ‘The pressures involved in my breakdown were extreme.’

Fenton and Simmons nodded noncommittal encouragement, and Simmons clicked his lighter open to rekindle his pipe. Suddenly the office seemed very tight, very close. Jim had the queer sensation that someone had just turned on a heat lamp over the back of his neck. His fingers were twisting in his lap, and he made them stop.

‘I was in my senior year and practice teaching. My mother had died the summer before—cancer—and in my last conversation with her, she asked me to go right on and finish. My brother, my older brother, died when we were both quite young. He had been planning to teach and she thought…’

He could see from their eyes that he was wandering and thought: God, I’m making a botch of this.

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Remember ‘The Mammoth Books of Best New Horror, ed. by Stephen Jones’?—Here are the Tables of Contents & Covers from ALL 29 BOOKS!

If you’re like me, you love a good horror series. Hell, series are cool, period, right? I remember my 1970s collection of The Occult Files of Doctor Spektor! I treasured those 19 or 20 comics. Add the amazing artwork and illustrations that a series often comes with, and they’re great! Throw in a great editor and the really good writers, telling their most frightening stories—and series are fantastic!!

I have been collecting Stephen Jones’ The Mammoth Book of Best New Horror since around 2003 and I finally have them all in either hard copy or digital editions. But having more isn’t always easier! I’m always going: Where did I place that oneC089D993-CCD7-414C-8192-28266BBD6C47 book with the killer vampire story in it? Or which book was that crazy story about the “sticks” in? you know by Wagner?

Well, now-a-days it’s very easy to look things up and put a quick name to a book to a page number … and find just what you’re looking for. But back in the day? It was a treasure hunt!

But look no further—because here is the ultimate Master List (thank you ISFDB & StephenJoneseditor.com) of Tables of Contents from all 28 anthologies!—and the covers!*—almost three decades of great short horror fiction! “That’s gotta be like forty-eight hundred teeth!”

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Indeed.

(*If an edition had more than one cover, I’ve included both below.)


The Mammoth Book of Best New Horror, Vol. 1, 1990

 

Table of Contents

xiii • Introduction: Horror in 1989 • [Horror in … Introductions] • (1990) • essay by Stephen Jones and Ramsey Campbell
1 • Pin • (1989) • short story by Robert R. McCammon
8 • The House on Cemetery Street • (1988) • novelette by Cherry Wilder
33 • The Horn • (1989) • novelette by Stephen Gallagher
57 • Breaking Up • (1989) • short story by Alex Quiroba
66 • It Helps If You Sing • (1989) • short story by Ramsey Campbell
75 • Closed Circuit • (1989) • novelette by Laurence Staig
93 • Carnal House • (1989) • short story by Steve Rasnic Tem
104 • Twitch Technicolor • (1989) • short story by Kim Newman
115 • Lizaveta • (1988) • novelette by Gregory Frost
144 • Snow Cancellations • (1989) • short story by Donald R. Burleson
154 • Archway • (1989) • novelette by Nicholas Royle
176 • The Strange Design of Master Rignolo • (1989) • short story by Thomas Ligotti
189 • …To Feel Another’s Woe • (1989) • short story by Chet Williamson
205 • The Last Day of Miss Dorinda Molyneaux • (1989) • novelette by Robert Westall
236 • No Sharks in the Med • (1989) • novelette by Brian Lumley
275 • Mort au Monde • (1989) • short story by D. F. Lewis
279 • Blanca • (1989) • novelette by Thomas Tessier
303 • The Eye of the Ayatollah • (1990) • short story by Ian Watson
312 • At First Just Ghostly • [Kane] • (1989) • novella by Karl Edward Wagner
370 • Bad News • (1989) • short story by Richard Laymon
383 • Necrology: 1989 (Best New Horror) • [Necrology (Jones & Newman)] • (1990) • essay by Stephen Jones and Kim Newman


The Mammoth Book of Best New Horror, Vol. 2, 1991

 

Table of Contents

xvii • Introduction: Horror in 1990 • [Horror in … Introductions] • essay by Stephen Jones and Ramsey Campbell
1 • The First Time • (1990) • short story by K. W. Jeter
14 • A Short Guide to the City • (1990) • short story by Peter Straub
25 • Stephen • (1990) • novelette by Elizabeth Massie
47 • The Dead Love You • (1989) • short story by Jonathan Carroll
60 • Jane Doe #112 • (1990) • short story by Harlan Ellison
70 • Shock Radio • (1990) • short story by Ray Garton
89 • The Man Who Drew Cats • (1990) • short story by Michael Marshall Smith
105 • The Co-Op • (1990) • short story by Melanie Tem
115 • Negatives • (1990) • short story by Nicholas Royle
126 • The Last Feast of Harlequin • [Cthulhu Mythos] • (1990) • novelette by Thomas Ligotti
159 • 1/72nd Scale • (1990) • novelette by Ian R. MacLeod
185 • Cedar Lane • (1990) • short story by Karl Edward Wagner
194 • At a Window Facing West • (1990) • short story by Kim Antieau
205 • Inside the Walled City • (1990) • novelette by Garry Kilworth
222 • On the Wing • (1990) • short story by Jean-Daniel Brèque
230 • Firebird • (1990) • novelette by J. L. Comeau
252 • Incident on a Rainy Night in Beverly Hills • (1990) • novelette by David J. Schow
272 • His Mouth Will Taste of Wormwood • [Cthulhu Mythos] • (1990) • short story by Poppy Z. Brite

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What’s on the Tube? An Urban Supernatural Creeper Starring Nicholas Cage—“Pay the Ghost” Is Based on a Halloween Story by UK Author Tim Lebbon

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Well, the poster sucks. I give the poster a half star! But this is a good film for a cool night with the windows open, and the wind going.

Based on the short story “Pay the Ghost” written by horror author Tim Lebbon (see “About the Short Story”, below) and published in October Dreams*—a Halloween-themed anthology edited by Richard Chizmar and published by Cemetery Dance books in 2000, the film, Pay the Ghost, stars Nicholas Cage in a frightening take on kidnapping, Pagan lore, and witchcraft all with an urban twist that is effective. I was fascinated and even scared here and there. Effects are well done; and even though the plot has been done before in a variety of ways; the supernatural elements work.

⭐️⭐️⭐️1/2

So, now that I’ve seen the film, I’m backtracking and starting the story!

Here are some links to info on the film and to the ebook site—where you can read the original short story for only $.99! Lebbon is a great writer, so check it out!

Entertainment Weekly Review:

http://ew.com/article/2015/08/24/nicolas-cage-poster-pay-the-ghost/

Wiki:

https://en.m.wikipedia.org/wiki/Pay_the_Ghost

About the Short Story

Click here to get “Pay the Ghost”, the story by Tim Lebbon:

*Click here to read about the anthology October Dreams ed. by Richard Chizmar & Robert Moorish:

https://en.m.wikipedia.org/wiki/October_Dreams

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Listen to a Podcast in which Lebbon discusses the story:

http://www.thisishorror.co.uk/tih-106-tim-lebbon-on-pay-the-ghost-the-silence-and-self-doubt/

Interview with The Story’s Author, Tim Lebbon:

https://www.starburstmagazine.com/features/tim-lebbon-interview

Visit the author’s website, here:

https://www.timlebbon.net/

Below, is the Foreword of the 2018 ebook edition and following that is page one of the story…

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What?? Sorry Chapter 4…But you barely get 3 stars…

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I was disappointed. I’m a huge fan of the earlier films. But Wan has to direct it seems or something flops.

NO SPOILERS HERE.

Story should always be number 1. Character drives story. Well developed characters make for deeper more meaningful stories. Plot should be used to show character. &tc. This is writing 101.

Sadly, we’re so dumbed down in America we don’t think a horror film requires story—we have been conditioned to accept scares and thrills in place of quality. I wonder, in fact, if the majority of us even care. The $50 million+ this fourth Insidious film has brought in since its release in January 2018…fills the right pockets, and perpetuates the problem.

Sigh.

I think a story specialist (and I mean a real writer) should be required to approve any edits before a film is made final and released in this country.

This one has its moments—the story is there, it’s just limping; a limb missing here, a thought not fully developed there. Red doors whispered about. Red doors unexplained. Keys here, keys there. Crimes committed. Crime scenes horribly adultereated. Psychotic pacing. It’s like a stillborn little monster: “IT’S ALIVE, IN THE FURTHER!”

The whole “keys” thing is never explained though, nor all the red doors—and the feel is underwhelming, and then overloaded.

Insidious Chapter 4, The Last Key tries too hard in all the wrong places; in the end, it wanders about like a lost demon looking for a home.

Movies like this subtly insult our intelligence as smart viewers. Elise always has something that makes her character work. But one Elise, a movie does not make.

There are some delicious dark elements in this one. But The Conjuring films, it ain’t.

⭐️⭐️⭐️ … And all three go to Lin Shays’s Elise.

The King

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