I Came Back Haunted! Don’t Miss Stories #1, #2, #3 AND #4! in Our New Rare/Vintage Ghost Story Anthology! You have to read these!

FINALCOVERDon’t forget to read my new ghost story anthology! FOUR stories have already been posted…these are rare vintage stories by lesser-known but very high quality writers. They are among the creepiest oddly haunting stories I have ever encountered, and that’s saying a lot.

Sanguine Woods Books(sm) will be offering a full ebook in late fall 2017 that will include along with these stories, a handful of new ghost stories written in that old-fashioned vein by some of the great modern writers of ghostly fiction.

So stay tuned! And, thank you so much for your support!

Click here to read Story #1 “How Love Came to Professor Guildea” by Robert Smythe Hichens, 1900…

Click here to read Story #2 “What Did Miss Darrington See?” by Emma B. Cobb, 1881…

Click here to read Story #3 “The Woman at Seven Brothers” by Wilbur Daniel Steele, 1888…

Click here to read Story #4 “The Lianhan Shee” by Will Carleton, 1830…

We Came Back Haunted: An Essay on the Ghostly by Ernest Rhys (1921)

We Came Back Haunted

Ernest Rhys, 1921


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In my recent Ghost Book (The Haunters and the Haunted,1921), M. Larigot, himself a writer of supernatural tales, collected a remarkable batch of documents, fictive or real, describing the one human experience that is hardest to make good. Perhaps the very difficulty of it has rendered it more tempting to the writers who have dealt with the subject. His collection, notably varied and artfully chosen as it is, yet by no means exhausts the literature, which fills a place apart with its own recognised classics, magic masters, and dealers in the occult. Their testimony serves to show that the forms by which men and women are haunted are far more diverse and subtle than we knew. So much so, that one begins to wonder at last if every person is not liable to be “possessed.” For, lurking under the seeming identity of these visitations, the dramatic differences of their entrances and appearances, night and day, are so marked as to suggest that the experience is, given the fit temperament and occasion, inevitable.

One would even be disposed, accepting this idea, to bring into the account, as valid, stories and pieces of literature not usually accounted part of the ghostly canon. There are the novels and tales whose argument is the tragedy of a haunted mind. Such are Dickens’ Haunted Man, in which the ghost is memory; Hawthorne’s Scarlet Letter, in which the ghost is cruel conscience; and Balzac’s Quest of the Absolute, in which the old Flemish house of Balthasar Claes, in the Rue de Paris at Douai, is haunted by a dæmon more potent than that of Canidia. One might add some of Balzac’s shorter stories, among them “The Elixir”; and some of Hawthorne’s Twice-Told Tales, including “Edward Randolph’s Portrait.” On the French side we might note too that terrible graveyard tale of Guy de Maupassant, La Morte, in which the lover who has lost his beloved keeps vigil at her grave by night in his despair, and sees—dreadful resurrection—“que toutes les tombes étaient ouvertes, et tous les cadavres en étaient sortis.” And why? That they might efface the lying legends inscribed on their tombs, and replace them with the actual truth. Villiers de l’Isle Adam has in his Contes Cruels given us the strange story of Véra, which may be read as a companion study to La Morte, with another recall from the dead to end a lover’s obsession. Nature and supernature cross in de l’Isle Adam’s mystical drama Axël—a play which will never hold the stage, masterly attempt as it is to dramatise the inexplainable mystery.

Among later tales ought to be reckoned Edith Wharton’s Tales of Men GHSTSGRBXN1937and Ghosts, and Henry James’s The Two Magics, whose “Turn of the Screw” gives us new instances of the evil genii that haunt mortals, in this case two innocent children. One remembers sundry folk-tales with the same motive—of children bewitched or forespoken—inspiring them. And an old charm in Orkney which used to run:

“Father, Son, Holy Ghost!
Bitten sall they be,
Bairn, wha have bitten thee!
Care to their black vein,
Till thou hast thy health again!
Mend thou in God’s name!”

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Rue Morgue #176! Are You Reading It?

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INSIDE ISSUE #176

FEATURES

TWILIGHT OF THE GODS Series creators Bryan Fuller and Michael Green bring Neil Gaiman’s American Gods to network television. Plus: Vincenzo Natali on directing Crispin Glover, Dark Horse’s American Gods comic and a look back at Gaiman’s novel. By Andrea Subissati, Pedro Cabezuelo and Jess Peacock

THE GREAT AND SECRET SHOWMAN The life and legacy of cultural boogeyman Anton Szandor LaVey on the 20th anniversary of his death. Plus: the occult in fashion and a few words with 3teeth frontman Lex. By Sean Plummer, Benoit Black and Andrea Subissati

THE WONDER FEARS The Watcher in the Woods director John Hough takes us back to the Disney movie that traumatized a generation of tots. Plus: a look at Disney’s dark side. By Amy Seidman and Paul Corup

CHAINSAW AND DAVE’S CLASS REUNION Summer School’s lovable gorehounds celebrate 30 years of the characters who made being a horror fan cool. Plus: a dossier of horror devotees. By Jeff Szpirglas and Tal Zimerman

DEPARTMENTS

NOTE FROM UNDERGROUND Andrea says hello.

POST-MORTEM Letters from fans, readers and weirdos

DREADLINES News highlights, horror happenings

THE CORONER’S REPORT Weird stats, morbid facts and more

NEEDFUL THINGS Strange trinkets from our bazaar of the bizarre

CINEMACABRE The latest films, the newest DVDs and reissues feat. The Void

THE LATE-NITE ARCHIVE I Bury the Living

BOWEN’S BASEMENT The Horror of Party Beach

BLOOD IN FOUR COLOURS Comics feat. Not Drunk Enough

THE NINTH CIRCLE Book reviews feat. John Cornell’s Chalk

THE FRIGHT GALLERY The spooky works of Eric Millen

THE GORE-MET Human Pork Chop and Dr. Lamb

AUDIO DROME Music reviews feat. new album from Ghoultown

PLAY DEAD Game reviews feat. Resident Evil 7: Biohazard

CLASSIC CUT The Cat and the Canary

Source and Buying Info:

http://www.rue-morgue.com/online-store/Rue-Morgue-176-May-Jun-2017-p83323287

“The Psychic in Literature” by Dorothy Scarborough, PhD, 1920

 

The Psychic in Literature

Dorothy Scarborough, PhD

War, that relentless disturber of boundaries and of traditions in a spiritual as well as a material sense, has brought a tremendous revival of interest in the life after death and the possibility of communication between the living and the dead. As France became nearer to millions over here because our soldiers lived there for a few months, as French soil will forever be holy ground because our dead rest there, so the far country of the soul likewise seems nearer because of those young adventurers. The conflict which changed the map of Europe has in the minds of many effaced the boundaries between this world and the world beyond. Winifred Kirkland, in her book, The New Death, discusses the new concept of death, and the change in our standards that it is making. “We are used to speaking of this or that friend’s philosophy of life; the time has now come when every one of us who is to live at peace with his own brain must possess also a philosophy of death.” This New Death, she says, is so far mainly an immense yearning receptivity, an unprecedented humility of brain and of heart toward all implications of survival. She believes that it is an influence which is entering the lives of the people as a whole, not a movement of the intellectuals, nor the result of psychical research propaganda, but arising from the simple, elemental emotions of the soul, from human love and longing for reassurance of continued life.

“If a man die, shall he live again?” has been propounded ever since Job’s agonized inquiry. Now numbers are asking in addition, “Can we have communication with the dead?” Science, long derisive, is sympathetic to the questioning, and while many believe and many doubt, the subject is one that interests more people than ever before. Professor James Hyslop, Secretary of the American Society for Psychical Research, believes that the war has had great influence in arousing new interest in psychical subjects and that tremendous spiritual discoveries may come from it.

Literature, always a little ahead of life, or at least in advance of general thinking, has in the more recent years been acutely conscious of this new influence. Poetry, the drama, the novel, the short story, have given affirmative answer to the question of the soul’s survival after death. No other element has so largely entered into the tissue of recent literature as has the supernatural, which now we meet in all forms in the writings of all lands. And no aspect of the ghostly art is more impressive or more widely used than the introduction of the spirit of the dead seeking to manifest itself to the living. No thoughtful person can fail to be interested in a theme which has so affected literature as has the ghostly, even though he may disbelieve what the Psychical Researchers hold to be established.

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5 Historic Hauntings: Are These the Most Frightening of All Time? You Be the Judge…

Haint-Blue Shudders

borley25The Haunting of Borley Rectory, England. Concept & Design by Woody Dexter. (Images unless otherwise noted: Pinterest)

It’s always fun to put ghost stories into Best Of categories. Well, here is a list of the “Top 5” of all time, one per century. What do you think?

Going back to the 1500s, which stories or legends of ghosts/hauntings stand out? Well, according to this list (historyextra.com), these were some pretty nasty hauntings—one in a church?!

I DO hope they were caught, trapped, exorcized…

The Top 5 Hauntings 1500-1999

scoganTitle Page to Scogan’s Scoggin’s Jests, 1666, 1866

Ghost Tale from the 16th Century

Anne Boleyn, whose headless ghost is rumoured to haunt the vicinity of the Tower of London and other locations, may be the most famous ghost of the 16th century. But instead I nominate a literary hoax ghost.

Following the Reformation, Protestant theologians dismissed ghosts as Catholic inventions, delusions and frauds…

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Vintage Horror: The Bishop from Hell & Other Stories by Marjorie Bowen, 1949

Haint-Blue Shudders

ab806fcf49d767291939a1e27d837e03Chalice of Severence by Denis Forkas Kostromitin, 2013 (Commissioned by Polish rock band Behemoth).


Marjorie Bowen was one of several pen-names that were adopted by the writer Margaret Gabrielle Vere Campbell Long (1885 — 1952). This collection of her stories is 189 pages long and contains a dozen tales of the supernatural and macabre. The book also has an Introduction written by her son Hillary Long.

Below we provide a brief synopsis of the stories collected in The Bishop of Hell & Other Stories, and follow with some information on reading the book free; as well as a bio of the author.

The Stories

d9342cf24e62b07d8b98d891dfd2dd27The Fair Hair of Ambrosine

The first story, “The Fair Hair of Ambrosine”, is set in Paris, where the central character Claude Boucher is counting down the days to the 12th of December with an increasing dread. Claude works as a clerk in The Chamber of…

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The Far Away Country, an Irish Poem by Nora Hopper Chesson

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Far away’s the country where I desire to go,
Far away’s the country where the blue roses grow,
Far away’s the country and very far away,
And who would travel thither must go ‘twixt night and day.

Far away’s the country, and the seas are wild
That you must voyage over, grown man or chrisom child,
O’er leagues of land and water a weary way you’ll go
Before you’ll find the country where the blue roses grow.

But O, and O, the roses are very strange and fair,
You’d travel far to see them, and one might die to wear,
Yet, far away’s the country, and perilous the sea,
And some may think far fairer the red rose on her tree.

Far away’s the country, and strange the way to fare,
Far away’s the country–O would that I were there!
It’s on and on past Whinny Muir and over Brig o’ Dread.
And you shall pluck blue roses the day that you are dead.

[From The Haunted Hour, an Anthology Compiled by Margaret Widdemer, Harcourt, Brace and Howe, New York, 1920. Public Domain.]