It’s not often I write about modern films here at The Churchyard, the only other time I’ve done this was a quick off-the-cuff piece when I got back from seeing Alice Lowe’s directorial debut, Prevenge.
Having just got back from seeing The Ghoul it’s time for another equally off-the-cuff piece.
The Ghoul, written and directed by Gareth Tunley and starring Tom Meeten, is a remarkable thing. On the surface it is an occult thriller; Meeten plays Chris, a detective investigating a bizarre double murder and, as part of the investigation, goes undercover as a patient with the suspect’s psychotherapist to glean information. However, this plot, through its exploration of Jungian theories, possible demonic forces and Austin Osman Spare based Sigil Magic, exists solely as a framework for the underlying exploration of mental illness.
As the film progresses we find that Chris’ story is not as simple as it at…
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